Lev Nesterov Rappoport Biography
Natalya Nesterova March 27 - April 7 at the exhibition will present both early and later works, but the basis of the exposition is the artist’s canvas over the years. A participant in the Union of Artists, professor of the Russian Academy of Theater Arts, laureate of numerous awards, Natalya Nesterova already at the very beginning of creativity abandoned the generally accepted view of the eyes familiar to the eye.
In years, the heroic scenes of working life turned on its canvases into an enchanted kingdom of houses of creativity or relaxation, numb or occupied with endless Maeta. Then, in her painting, images of ancient cities, features of parks, religious motifs appeared. The Holstometer exhibition is not only a panoramic view of the artist’s work, but also the opportunity to discern his image dissolved in every picture.
The artist’s works are in the meetings of the State Tretyakov Gallery, the State Russian Museum, the State Museum of Arts of the East, the Moscow Museum of Contemporary Art and many other museums and galleries in Russia, Ukraine, Georgia, Kazakhstan, Canada, USA. The story of one horse the idea of an exhibition in an open club arose for a long time, but something constantly did not grow together.
Either it was superimposed on another exposition, then someone was not in the country, then grandchildren were born, then there was simply no work. And then, finally, it happened. The concept formed immediately, the benefit and year of the anniversary of 70 years N. Horses snort, mowed with wet eyes and crunch apple treats. And together with the sirens and k crasons, the workshop, an incomparable horse aroma mixed with the smell of the sea, is bursting into the workshop through the open window.
Mom's cousin was the director of the equestrian plant in the Ivanovo region. When he came to Moscow, he drove a little granddaughter with her mother at the hippodrome. These were incredibly happy days. The feeling of a marvelous holiday, excitement, excitement, delight and horses, rushing at full support with developing manes and tails. Then, when my mother met the horses better, she saw in their eyes some incomprehensible depth, as if a man was imprisoned inside, trying hopelessly to call for help so that he would be saved from this captivity.
After this vision, she could never force herself to sit on a horse - to saddle a prisoner of someone else's shell.
And she also does not work to draw a horse all the time, so she again and again tries to defeat the hypostasis that is not succumbing to her. The family has always been a lot of reading and everywhere in the books came across ancient captives - acquaintances. And Gulliver’s journey to the Country of the Guugnmi finally convinced the fairness of children's guesses. Nesterova’s old friend-Yuri Growth by whose photography illustrates ...
The catalog once called the artist-holding onto the brush. Artheodesic tool for measuring and studying the surface of the canvas. So it turned out from here the chlostomer artist. Saying this name, we always recall human ingratitude and injustice. But in another Gulliver’s journey to the flying island of Laput, only ingratitude was punishable by death, any artist actor, writer, musician choosing this path condemns himself to the court of crowds, and she rarely is grateful, although bread and spectacles are its basic requirements.
Existential loneliness is an integral component of creativity. Soligence in the workshop best allows you to measure the canvas and if something interferes with going to work, then the day is spoiled. So she tries to draw a horse correctly. After all, driven horses are shot. Isn't it true? Leo Nesterov-Rapport