Yarvet Yuri Biography
The laureate of the State Prize-for participating in the TV film of the coast, came to the theater from sports, had the title of Tallinn champion in gymnastics. Gymnastics accidentally connected Yarveta with the theater.
B was admitted to the dance troupe of the Tallinn Working Theater, and was transferred to the dance group of the State Art Ensemble of the Estonian SSR. At the same time, he visited the drama circle, one of the leaders of which was the director Caarel Ird. After the closing of the Yarvet ensemble, it was included in the newly created state Tallinn Theater of a young spectator, where he played small roles.
And only after that he entered the Tallinn Theater Institute, which he graduated from the actor at the Estonian radio in several years, played and tried himself as a director in the town of Vyra, quite successfully worked as a pop artist. An important milestone in his fate was the work on the stage of the State Academic Drama Theater named after V. Kingisepp, where he went through the school of acting, formed creatively.
He began with the roles of episodic, moving to more complex and large. The chief director of the theater V. Panso said about him: “The take -off of Yarvet was not swift. It grew stubbornly and sequentially, like the northern juniper, curved, stunted, thick, strong, stable and prickly. But this prickly fur coat is nevertheless charming in its amazing colors and halftones. The game of Yarvet is passive, but accurate.
He brings silence with him, he feels the flip side of the comic. He knows how to play in such a way that sadness rings in his laughter and pains pain. ” Of the early roles in this theater, the most successful role was Balzaminov’s marriage Balzaminov A. Ostrovsky, as well as the role of Voitinsky in the staging of the Estonian classic A. Tammsare Pravda and justice, the performance staged by V.
Panso was called man and God. Starting as an artist of the comic direction, he strove to create tragicomic and complex dramatic characters. In the beginning of X, he is staring at a “little man”, getting used to his difficult life. These are such roles as the stoker of Pallas, the death of squadron A. Korneychuk, the jester of the king is cold A. Tammsaare, Petushkov Living corpse of L.
Tolstoy, Archivarius thief in paradise Eduardo de Filippo. The top of his work was the roles played in the second half of X - King Claudius in the performance of Hamlet according to W. Shakespeare, Creon in Antigon. The greatest success in the cinema was the role of King Lear in the film of the same name by G. Kozintsev, this was preceded by another staging role, Sturmbanfuhrer Windshis, in the film Madness, played in the Tallinphilm studio.
Yarvet played the role of a person who was captured by the idea of the superiority of the Aryan race. The fascist system made him great, and he paid her fanatical devotion. So the yoke began to explore the topic of madness, continuing it in the king Lyra. The role of King Lear brought him instant fame. In this role, he is far from immersion in the abyss of madness as such. On the contrary, having discarded the old royal regalia and the symbols of power, the hero of Yarvet dumped the shell of falsehood, becoming just a suffering and compassionate person.
Having died as a king, Lear was born again as a man, in cruel and bloody torment. He re -learned to think, empathize with his neighbor, to know the complex and terrible world of human passions. His words of insight were more like an internal monologue with his own conscience, with his own wounds of the soul. Deep penetration into the complex inner world of a person manifested itself in such roles of monospheres as the flower of the notes of the crazy N.
Gogol and Crapp, the last tape of Crapp S. Bekkete, set in the Vemain Theater in Tartu, so the evolution of the artist of the plastic pattern to the master of internal psychologism took place. The topic related to the circle of Shakespearean ideas and heroes is through in his work. It is no coincidence that he played in a number of Shakespearean plays, played Polonia in Hamlet, and even played Shakespeare himself in the play by Bingo E.
Bond, died on July 5