English biography of the artist


English-animal artist George Stubbs. Biography and creativity year of birth: August 25 Date of death: July 10 Biography: England, 18th century. The works of animal artists are becoming increasingly popular. The most famous of them is George Stubbs - a scientist, naturalist and talented painter. He was born in Liverpool on August 25 and could continue his father’s work, trading in his skin.

However, the curious baby is more attracted to the study of bones and drawing. One of his children's patterns of the horse was so good that one day he took a prize. But only after the death of his father in the year did he be able to enter the painter Hamlet Winstenli. At the same time, George gets acquainted with the paintings of famous masters from the collection of Count Derby.

The study did not set, and after a few weeks the young man returns home, where he begins to engage in painting on his own. He writes several portraits to order, but does not achieve success. Having decided to thoroughly study the anatomy, George moves to York in the year, where, under the guidance of a local hospital, he takes part in the autopsy. His earliest works have reached us - illustrations for Dr.

John Barton’s book on obstruction. In York, StabbSU is awarded the title of associate professor in the field of anatomy of humans and animals. In an effort to better study the works of masters of antiquity and the Renaissance, a young man in the year goes to Rome. This trip had a great influence on the work of a novice painter. Returning to England in the year, Stubbs moves to the Lincolnshire farm.

For a year and a half, he works on a slaughterhouse, preparing and sketching the corpses of horses. At the same time, the young man works on his book “Anatomy of the Horses”, which will be published in the year. For the publication of the book, a graver was needed and in his search, he moves to London three years later. At this time, George is finally determined with the genre of his work.

Great knowledge of anatomy and picturesque skill helps him become the best animal artist, whose beloved theme are horses. Visiting jumps, the young man gets acquainted with the owner of an elite riding school. The owner liked the drawings of the horses so much that he introduces many aristocrats to him. The professionalism and talent of the artist bring him many orders, his popularity is growing.

It was the most fruitful period in the life of the painter. Since the year, Stubbs has been participating in exhibitions of the Society of Artists. In addition to paintings with horses and dogs, he writes genre scenes, group portraits. Using each opportunity provided to him, the artist draws various exotic animals brought to England. Amazing observation and accuracy, excellent knowledge of the anatomy allowed George Stubbs to create his own style that you can’t confuse with any other.

In the 10ths, the painter gets acquainted with the famous Josia Waghwut and writes several enamels on ceramic plaque for his porcelain factory, which we can still admire. In the year, Stubbs is taken as a member of the Royal Academy of Arts. After a few years, the demand for its canvases begins to fall and in recent years the master has been living in poverty.

He works on the continuation of his book on the anatomy of the horse, but in the year he dies of a heart attack, leaving behind many drawings. For the whole years, the name George Stubbs was forgotten until his first works appeared at the year at the year. Currently, his paintings occupy a worthy place among masterpieces of world painting. George Stubbes's paintings year - “Stallion Wistlejakek” George Stubbs is one of the first outstanding English painters to devoted their work to horses.

His customers were exclusively British aristocrats. In the most famous picture of Stubbs, a custody stallion, nicknamed the Wistlejakek, is depicted. From the point of view of the composition, it is noteworthy that a large -scale picture is completely devoted to the image of a stallion. During its creation, Stubbs was immersed in the study of the horse, its anatomy.

A large number of animal drawings have been preserved in various emotional states and angles. They went out in a separate book. Высказывалось предположение, что, приступая к работе над изображением жеребца, художник хотел создать конный портрет короля Георга III. However, it is more likely that initially he intended to write only a reared horse on a neutral, not distracting the attention of the viewer in the background.

Among the exotic objects brought by them were the skull and the skin of the kangaroo. Knowing George Stubbs as an excellent animal artist, a participant in the Barronet expedition Joseph Banks offers him to write a portrait of an animal in these exhibits and eyewitnesses. Two years later, at the Royal Academy of Arts, visitors to the exhibition for the first time presented a picture with the image of an unknown animal.

For the British, this was a discovery. Thanks to the talent of the painter and his knowledge of anatomy, the animal in the picture seems alive. Kangaroo sits on long hind legs, leaning his thick tail on the ground. Short front paws are pressed to the body. The animal is wary of looking back, large ears are tense.Expressive eyes peering into the distance with curiosity.

A dense short light-gray animal fur shines in the sun, a strip of golden beige color stretches along the back and a tail.

English biography of the artist

The wool is so carefully spelled out and seems so soft that you want to stroke it. In writing the background, the artist uses dim pastel shades of gray-blue, brown and green colors. A cloudy sky with clouds slightly illuminated by the sun, mountains and trees in a haze - all this allows you to focus only on the figure of the animal. For the next fifty years, the canvas has become the only example for the image of a kangaroo.

He was repeatedly reprinted and redrawn. In the year, the British after the collection of funds managed to buy a picture from the descendants of Banks and she remained in England, in Greenwich, in the National Marine Museum. George Stubbs makes several anatomical drawings of these animals, writes several paintings with their image. One of them is in front of us. Dark, almost black trees in the background frames the picture.

Ripe peaches collected in a heap lie in the shade. Even flowers curly on trunks - a fading gray -white shade. As usual, the background of the painter plays a secondary role, allowing you to highlight the main thing. Attention is immediately attracted by a small monkey, illuminated by sunlight. The master writes her with warm amber tones. She calmly sits on the stones, holding a branch and tearing the peaches with a long paw.

A thick golden brown fur shimmers into the sun, changing its color from light sand to dark olive shades. The fluffy long wool frames the muzzle and forms a bright red cap on the animal's head. Small ears are almost not visible. Shiny eyes on an expressive muzzle look intently at the viewer. The artist with his inherent skill carefully prescribes details: long legs with clever fingers, a strong muscular tail, black palms.

The monkey pose is absolutely natural. The painting of the painter is delighted - the animal seems alive. People admired animals at all times, and we also have the opportunity to enjoy the magnificent works of George Stubbs. Perhaps this is the second most popular after horses animals that George Stubbs loved and knew how to love so much. Customers attracted the artist’s fine skill, which, together with excellent knowledge of anatomy, allowed him to create wonderful portraits of favorites.

Before us is a portrait of a water spaniel. In England, they were bred to hunt a waterfowl. The artist portrayed the dog on the side - this is the most advantageous pose that allows you to consider a strong figure well. The dog confidently stands on four muscular paws, turning a slightly elongated face to the viewer. The spaniel has a thick curly white fur with light beige tan.

On the back, on the basis of a raised fluffy tail, several large stains of chocolate color. The same shade is soft hanging ears with small curls. On the paws and muzzle, the wool is short and smooth. A large stain of chestnut color, closing one eye, gives the animal a perky look. The dog is very calm. The gaze of small dark eyes confident. It can be seen that the animal is very fond of - curls on the wool are neatly combed.

In order for all the attention to be paid to the animal, the artist applies his favorite technique - a dim, almost deserted landscape around. Small discreet flowers of diluted white color, faded greens, light haze, cold gray-blue sky with large clouds-nothing distracts the look from the figure of the spaniel and does not prevent them from admiring. The master managed to capture the dog so accurately and expressively that it seems, you feel his breath.

This picture occupies a worthy place among the world works of painting.