Audrey Hepburn Biography

And Anna Frank Audrey was born in Belgium, but she spent her childhood in the Dutch town of Arnem, where she moved with her mother after her parents divorced. These years fell during the Second World War and the period of the occupation of the Netherlands by the Nazis. The memories of the war were always painful for the actress: she survived a strong hunger, every day she seriously feared for her life and the life of relatives - her uncle Otto was shot for disobedience to the regime.

In the year, director and producer George Stevens offered Audrey to play the main role in the film adaptation of the famous “Anna Frank Diary”. Dark -haired and thin, Hepburn would have approached this role. The candidacy was approved by Anna Otto's father - Audrey met with him personally. However, in the end, she refused the role, explaining that she accepts the story of the deceased Jewish girl too close to her heart: “I was again crushed by this that I said that I could not cope with myself,” the actress explained.

Bablets Audrey was one of those who popularized one of the iconic for the twentieth century models of women's shoes. In childhood and early youth, she seriously engaged in ballet, so in shoes resembling pointeas, she felt more than comfortable. Many photographers and directors used this. Hepburn appears in the ballet shoes in “Roman holidays”, “Sabrine” and “funny face”. The actress did not like neither studs nor high heels.

For the heroine, Audrey Nicole Hubert created several dozen luxurious outfits, including a veil of black lace. This item has become one of the symbols of the film. Like a black dress with an open back - a symbol of "breakfast at Tiffany." And the black lace remained one of the important components of the DNA of the Givenchy house, Ricardo Silence often used it in his collections. Mr. Lipstick Audrey rarely wore bright lipstick, although in her youth she could sometimes be seen with lips painted with dark red, much more often-nude and pale pink.

One of the most memorable scenes in “Breakfast at Tiffany” is the one in which the heroine Hepburn paints her lips in a taxi with Pale Corellov, before reading a letter from her lover, where he informs her about the gap: “The girl cannot read this without lipstick! Already today, journalists and fans managed to find out which lipstick Holly Golitley used: it was Revlon Pink in the Afternoon.

She is still on sale. By the way, in the black and white “Roman holidays”, Princess Anna also paints Revlon’s lips-only Fire and Ice is not visible on a film with a rich red tint. And Hubert dedicated him, of course, Audrey. According to one version, he decided to support his girlfriend so much when she was heavily experienced by a miscarriage. The designer gave her a bottle with the words: “I forbid you to be sad!

There is another legend: before the beginning of these spirits, there was no wide sale - supposedly because the actress did not want to “share” her favorite aroma with anyone. The latter, apparently, had its fruits: these perfumes became one of the most fashionable and commercially successful aromas x. Classic - slightly reformulated, but still recognizable - the version of the aroma is in the line of Les Parfums Mythiques de Givenchy, which is sold in large stores like Parisian Printemps.

E Europe, despite the fact that Audrey made a career in Hollywood and lived in America for a long time, she always considered herself a European. And was, perhaps, the most European Hollywood actress. Hepburn was born in Belgium in the Dutch and British family, her childhood spent in Holland, youth in the UK. She spoke freely in English, French, Dutch and Italian. According to an amazing coincidence, the action of many films with the participation of Audrey occurs precisely in European cities - from “Roman holidays” and ending with numerous films shot in Paris: these are “Funny Mordashka”, “Paris, when there is heat”, “Love in the afternoon” and “charad”.

In France - but already in the south - many episodes of the film “Two on the way” were also shot, and at the Roman studio “Chinechitta” - the adaptation of “War and Peace”, in which Hepburn played Natasha Rostov Winland scenes in Finland. Having become a star, Audrey was able to choose where to live, and first stopped at Switzerland, where she settled with her husband Mel Ferrer, then in Spain here the couple had a house in Marbella, and then in Italy.

In Rome, Audrey lived with her second husband, psychiatrist Andrea Dotti. In recent years, Audrey lived in Switzerland again - and died here, in January of the year, in her house near the town of Tolosenaz. Well, even those who have not seen a single film with Audrey Hepburn, most likely, know about her many years of cooperation with Uber de Zhivanshi. In total, Zhivanshi put on the heroines of Audrey in seven paintings - from Sabrina to the comedy “How to steal a million”.

It was he who created for the characters of Hepburn the clothes of clothing, which was then in history: a dress with a neckline for Sabrina, luxurious toilets for a funny face, a small black cut with a neckline for Tiffany's breakfast or a tube-a tablet with a leopard print for Sharada.Many of these things are one way or another to rethink the successors of the Uber as the creative director of Givenchy - Claire Claire Wayt Keller works especially enthusiastically enthusiastically enthusiastically enthusiastically enthusiastical.

Hepburn also dressed Zhivans in everyday life. The actress has repeatedly said in an interview that she owes her status to Suber to her status. Until her death, they remained close friends. When a seriously ill-sick actress at the age of 63 was discovered from her intestinal cancer should fly from the clinic in Los Angeles home to Switzerland, he provided her with his private plane, which previously filled with bouquets of flowers.

By the way, after the death of the actress, Juber de Zhivanshi became the official manager of her inheritance. Z “Breakfast at Tiffany” a film, in which Audrey’s hallmark remained forever, and the image of the main character Holly Golitley-in a narrow black evening dress, in gloves to the elbow, in Tiara and with a cigarette in a mouthpiece-became one of the most recognizable and copied images in the history of cinema and pop culture.

It is noteworthy that Hepburn herself spoke about this work as the most difficult in her career. The character of Holly - the same as the director Blake Edwards and the author of the novel “Breakfast at Tiffany” Trumen Capote - was very different from what Audrey was and felt. A whipping social girl with Manhattan, a lover of diamonds and a luxurious life, did not at all resemble a modest, closed Hepburn, who preferred Europe, and metropolis - a secluded life in the village.

As you know, Audrey’s candidacy seemed doubtful and the hood itself - he wanted to see Maryin Monroe as his heroine. Nevertheless, the director and bosses of the film studio stopped precisely at Hepburn why - we’ll explain below and did not lose: for the “breakfast at Tiffany” the actress received the Golden Globe and the Oscar nomination. And historical costumes the image of Audrey Hepburn is associated primarily with fashion -gg.

Hepburn's most famous costume film, of course, “My Beautiful Lady” is a film adaptation of the Broadway musical of the same name and Bernard show play. The outfits for both the musical and for the film were created by the legendary photographer and designer Cecil Biton. Born in the year, he perfectly remembered the fashion of Belle Epoque the action of the play unfolds in the year, so that the things he created went down in history-and he himself received two “Oscars” as an artist-decorator and as a costume artist.

In total, Biton came up with more than a thousand toilet items for the film - including the famous white dress with a “mermaid” hem, decorated with black ribbons, in which the heroine Audrey Eliza Dutylitetle appears at jumps in ascot. Part of the costumes is stored in the archives of Warner Brothers in Berbank, some of private collectors. Some of them are periodically exhibited at auctions.

However, when, on the eve of the premiere of the film, the journalists asked Audrey whether the work with Cecil Biton influenced her own style in clothes, she replied: “It is unlikely, I still love geometric silhouettes. So I will continue to wear Givenchy. ” As for the “war and the world”, Audrey herself insisted that the Zhivanshi would be engaged in costumes in the film adaptation of Roman Tolstoy, but he refused, since this work could undermine his authority of a modern and progressive designer.

However, Yuber regularly came to the shooting to control the process. To the short haircut of Hepburn was one of the first celebrities to popularize the ultra -short female haircut. Moreover, this happened even before the rapid take -off of Sassun in the years: for the first time, Audrey appeared on the screens trimmed under Pixie in the "Roman holidays" in the year. There is a scene in the film where her heroine, who escaped from the Princess Palace Anna, enters the Roman hairdresser, and the barber cut off her long curls right in the frame.

In her next film, Sabrina Audrey appeared with a similar hairstyle. Moreover, at the beginning of her character, she also has long hair, and only returning from Paris and becoming a “real lady”, Sabrina appears in front of the spectator with an elegant gamine haircut. In the picture of the year “Love in the afternoon,” the actress wears a half -duel bob, divided into a direct parting, and in the works of the 10ths - “two on the way” and “how to steal a million” - experiments with a spectacular oblique bangs.

Almost every time a short haircut for the heroine Audrey Hepburn means initiation - the beginning of growing up and liberation from the past. Audrey herself was breaking both the famous New York hairdresser Kennet Bettel, he also made styling Marilyn Monroe and Jacqueline Kennedy, and the less famous, but more expensive to her heart of Grace de Rossi, the wife of her beloved makeup artist Alberto de Russia.

L love for animals in many photos of Audrey is depicted with pets. She really always had a lot of them - she experienced great tenderness for animals. For many years she lived the Yorkshire Terrier nicknamed Mr. Feimous celebrity, there were also poodles and cats. And on the set of the film "Green estates" she tamed a deer.The trainer, who worked on the picture, advised the actress to take the baby home so that he was used to her.

As a result, the deer named Pippin got so attached to the actress that he settled at her house. Openly Audrey never fought for animal rights and did not call herself a vegetarian. But, as Sean Ferrer recalls in her book, his mother really preferred not to eat mammals. M of Audrey's music did not have outstanding vocal data, but always dreamed of singing. Partly her dream came true on the set of "Breakfast at Tiffany." Especially for the picture, the composer Henry Manchini and the poet Johnny Mercer wrote the song Moon River, and Audrey, in the role of Holly Golitley, performed it in one of the scenes of the film, accompanying her guitar.

It is now difficult to imagine a film without this song, but she could not enter it: as journalist Donald Spoo writes in the biography of Audrey Hepburn, the executive producer of Paramount Pictures Martin Rakin suggested cutting an episode with a game on the guitar on the installation. Audrey herself prevented this, saying that Moon River would be removed from the picture only through her corpse.

As a result, the song remained - and brought the Oscar to the film. Audrey was less lucky with the "my beautiful lady." Despite the fact that she recorded all the vocal parties to the film and there are a lot of them there, the studio’s leadership decided that most of the songs were still a repost of the Broadway actress Marny Nixon. As a result, Audrey's voice remained only at the beginning of the film, when Eliza Dolittl is still an uncouth flower girl.

Having become a lady, the heroine begins to sing more “pure” soprano nixon. Odri Hepburn's glasses were among Hollywood stars, which at the beginning of X introduced sunglasses into fashion. Most often, she appeared in the frame with the glasses of one brand - the British Oliver Goldsmith. Such glasses in brown frame with dark green glass wears in the “Breakfast at Tiffany” Holly Golitley often mistakes for Ray-Ban Wayfarer, but this is Oliver Goldsmith, and the Model of the same brand wears the Koko Model in the film “How Million.

" In the film “Two on the Way,” Joanna puts on large glasses with rectangular glasses - and also Oliver Goldsmith, the Yuhu model. By the way, all three are still in the line of the brand. It tells the story of a married couple from the middle class, and the creators decided that Givenchy outfits for the character of Audrey Joanna would be too expensive and “bourgeois”. As a result, the actress, among others, dressed Mary Kuant, Ken Scott and other creators of a slightly more extravagant and progressive fashion.

In the final of Joanna's picture, Paco Rabanne from sparkling acrylic plates appears in the famous futuristic dress - this thing is in perfect harmony with the graphic haircut of Audrey and massive earrings. This was the only time when the actress put on Paco Rabanne on the screen - but the moment definitely went down in history. Already in our days, one of the bloggers, leading Audrey account on Instagram, wrote that if Hepburn went to Met Gala, most likely this dress would have put on.

Until recently, the outfit was stored by the collector Tiani Kiriloff, but then was sold at auction.