Karina Buran Biography

The duration of the performance: 2 hours with one anti -entertain in the play used authentic texts in Latin, the Starineemetsk and Old French languages ​​in the performance are the music of Georg Friedrich Gendel and Wolfgang Amadeus Mozarta Mozarta on the stage of the Tsaritsa Opera Theater, the history of the creation of Karmina Burana took place on June 20 - a scenic candidate of German composer Karl Orf.

The composer called his composition the holiday of the victory of the human spirit through the balance of the carnal and the Ecumenical. The original manuscript of the collection “Codex Buranus” was found in G. He was dated to the year and contained many texts written by vagants - wandering singers and poets. The medieval monastery songwriter, who accidentally fell into the hands of the music teacher Karl Orfa, survived several publications, one of which was called "wine, women and songs." The name in general terms determines the content of the songs printed in it, the texts of which are written in Latin, Staronymetsk and Old French.

These are lyrical love serenades and romances, table songs, funny parodies. Orf left the original texts intact, choosing 24 poems. The composer defined the genre of his work as “secular songs for singers and choir, accompanied by tools with presentation on stage”. The first execution of the Cantata "Carmin Buran" in the year made a splash. After the premiere, the composer told his publisher: “Everything that I still wrote, and you, unfortunately, can be destroyed from afar.

My collected works begin with Karmina Buran. ” About the performance of a bright and diverse form, the work carries a deep philosophical meaning and gives a wide scope for bold directorial interpretations. To produce the performance, the young director from the Astrakhan Opera and Ballet Theater Alexander Zverev was invited to the theater “Tsaritsyn Opera”, according to which the audience offers a large-scale musical-choreographic mystery, built at the junction of genres: symphonic music, choral singing, solo vocals and ballet.

And the most famous part of the cantata is the choir composition “O, Fortuna” as if hinges a stage effect on both sides, opening and completing it. The original libretto was also created by the director of the play - director Alexander Zverev and conductor Sergei Grinev.

The masterpiece of the 20th century “Karina Buran”, written by Karl Orth on medieval texts, appears in the “Tsaritsyn Opera” in the form of modern psychological fantasy about eternal values: the variety of life, changeability of fate, cyclic generations, the confrontation of virtue and vice, earthly and divine, love and hatred, crowds and individuality. Director-winner Alexander Zverev, conductor conductor Sergey Grinev, choreographer Tatyana Erokhina, chormasters Yuri Panfilov and Olga Rudenko, special artist Elena Pavlovskaya created an original philosophical performance, psychological cantatata-fantasia inspired by “songs of the boyfriend”, orfa, music, music, music, music, music, music, music, music, music of the Orpher.

Handel and Mozart. The main philosophical core of the performance, around which all events take place and all meanings on the stage of the “Tsaritsyn Opera” are concentrated, is a huge sprawling tree - a symbolic tree of life created by an artist - a sceno George Matvosyan. The work of Volgograd artists aroused great interest from the Moscow audience and theatrical critics.

A summary of the plot line of the stage cantata is a shaking and associative. The absolutely original plot created by the directors of the performance can be represented as fantasies on the topic of human fate. From the moment of origin in the heaven of the life of a little girl of the heroine - until she left for another world. Throughout the way, she is accompanied by a representative of the Higher Forces Faceless, who is a certain heavenly curator, an intercessor, designed to protect her from evil and hardships.

The soul of a child who has not yet been born chooses his parents. Having matured, the girl makes her new choice, having met her hero, she falls in love and gets married. In a complex and changeable stream of events, on the example of the life of the heroine, the authors show all the complexity, fragility and predetermination of the human fate, explaining and justifying human mistakes and vices.

The same idea is confirmed in the images of the two antipodes of the baritone and tenor, which, in different periods of stage action, seem to change places, moving from the category of positive to the negative and vice versa, becoming either a winner or a victim. In all life situations, the participants of which are the characters of the performance, as a rule, only an innocent soul suffers, vulnerable and dependent on the mood of the crowd, human cruelty and indifference.

The saving is only eternity, the inviolability of which symbolizes the spreading tree. Life makes another round. Everything is repeated again: life and death, joy and grief, love and hatred ... Actors and performers:.