Timura Shaov Biography

Go to the navigation go to the search Timur Sultanch, who does not work in a specialty. Born on July 14, from childhood, Timur was practically doomed to fame at least in narrow circles: he was born in the family of inventor Sultan Azamat-Gireevich Shaov and historian Roza Abdul-Khamidovna Dzhanibekova, head of the Karachay-Cherkess Research Institute of History, Language and Literature; Grandfather Abdul-Khamid Shershenbievich Dzhanibekov-a famous scientist-ethnographer, one of the creators of the Nogai writing, author of the first Nogai letters and grammar; The husband of the cousin - the legendary astronaut Vladimir Dzhanibekov took the surname of his wife - partly for the harmonious, partly "so that she does not disappear." The older brother is Murat Shaov, the head physician of a psychiatric clinic.

Following his brother, Timur himself, having entered the Stavropol Medical University, took the path of medicine. During pedagogical practice, at a music school, he learned the basics of music, began to learn to write songs. In the fifth year of the university with Timur, an accident occurred - he broke his leg. After graduating from the institute, he worked for twelve years in the village of Zelenchukskaya, in parallel with this, he was seriously carried away by the Bardovsky song, and became a laureate of the Grushinsky festival.

The first cassette editions of his work began to appear in him, he moves to the Moscow Region, to Moscow, and gives himself to the music completely, publishing new albums with a frequency of two or three years. Unlike most bards, it is just as difficult to sing the works of Shaov as to bow his last name. The content of the verses of Timur Sultanovich is almost always humor or satire, the goals of which vary from corrupt judges and bandits-politicians to pseudo-scientific freaks and incompetent airlines.

Songs are regularly found that do not set the goal of ridicule something, but notes of self-irony are always visible in them. The typical hero of Shaov is a weak-chased, poor intellectual who loves to bury Baudelaire in a volume or drink beer with friends and does not love to wash socks, he is smart enough and observant to notice the troubles that are going on around him, but does not know how to change something-a character in which Timur himself is easily guessed.

From a musical point of view, Shaov works at the junction of the genres: in addition to the bard song and chanson, rock, spol, folk, and various peoples of Russia, and Chinese, Mexican, Indian, in its arrangements use cymbals, cello, thrombone, Chinese flute, smuggles and many other intricate instruments, but the main vocabulary remains and there are always a voice and there are always a voice and always remain a voice and always remain a voice and always remain a voice guitar.

Shaov’s work is Plastaskano in quotes, and he himself is the owner of a number of awards in the so -called most of his life, he met his wife, Abkhazian Georgian Manana, still at the university, has three children. The trails and stamps of the author’s song - and Shaov himself works in this genre, and other performers are often mentioned by them. Antiscus - "Tales of our time." Birch bark bunches - often.

This Timur Sultanovich stands out sharply from the entire host of domestic bards. Bonus for contemporaries: as well as with bonuses for contemporaries, see passage about the minister without panties from the bathhouse in Krysolov - this is about the Yeltsin Minister of Justice Kovalev, who was removed in the bathhouse with girls. The god of war, who bought the “chariot of the luxury” “On the crisis of ancient Greek statehood” - a hint of the Minister of Defense Pavel Grachev and a scandal with the purchase of two “Mercedes” according to different versions - either they were bought illegally, or with inappropriate use of the budget, or according to the documents for the needs of the ministry, and in fact personally for the Minister.

Well, how not to mention “The song about how Timur Shaov discovered shit for himself” - the text of which is almost entirely consisted of almost unchanged advertising and election slogans, which are already unknown to the present youth to 25.